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Bill Clinton now leads a sprawling philanthropic empire like no other. The good it achieves is undeniable. It has formed partnerships with multinationals and wealthy individuals to distribute billions of dollars all over the globe. Its many innovative projects include efforts to lower the costs of medicines in developing nations and reduce greenhouse-gas emissions in major cities. And yet it’s hard to shake the sense that it’s not all about saving the world.
There’s an undertow of transactionalism in the glittering annual dinners, the fixation on celebrity, and a certain contingent of donors whose charitable contributions and business interests occupy an uncomfortable proximity. More than anyone else except Clinton himself, Band is responsible for creating this culture. And not only did he create it; he has thrived in it.
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